The Candidate

Did this movie predict Trump back in 1957? We discuss the film debut of Andy Griffith in a role so dark, anyone who knows the Andy Griffith show might experience some uncomfortable dissonance. Some goodies that came up in our conversation: The dance of joy from "Perfect Strangers" This essay about the film on the Criterion website Albert Brooks and Holly Hunter in a great scene from Broadcast News The 'ten-word-answer' scene from The West Wing What did you think of the film, on a scale of 1–10 grains of inert matter? Let us know!

This week, we dive deeper into the role of the fourth estate, as we discuss Network, the Oscar-winning film that was meant to be a wild satire at the time it was released, but ended up uncannily predicting the future. Some additional reading material: Mad As Hell, Dave Itzkoff's book about Network Directors' Guild of America post about Sidney Lumet at a 2003 screening of Network Vanity Fair article on the legacy of Network (which includes thoughts from Aaron Sorkin)

This week, we're discussing the 1998 film Bulworth, which features a rapping Warren Beatty, a young Josh Malina, a few problematic moments, and some wonderful and strange ones, too. For a real treat, watch the music video for Ghetto Supastar, which also features a young Josh Malina! What did you think of Bulworth? Join the conversation over on our Patreon and let us know on a scale of 1–10 forced calls!

What's more terrifying in Martin Sheen's depiction of J. Edgar Hoover—the racism, or the makeup?! We discuss ALL the important aspects of this cat-and-mouse thriller, which was nominated for six Oscars, including Best Picture, and won two: Best Screenplay and Best Supporting Actor for Daniel Kaluuya. For additional viewing: The Lucas Brothers William O'Neal's full interview for Eyes on the Prize II Hoover and Sheen-as-Hoover, side by side: What did you think of Judas and the Black Messiah? Let us know on a scale of 1–10 simultaneously played saxophones over on our Patreon page, patreon.com/thewestwingweekly.

This week, we're discussing the hilarious — and terrifying—Dr Strangelove. A few goodies: An interview with title designer Pablo Ferro "Are We the Baddies?" from That Mitchell and Webb Look George C Scott side-by-side with Tim Robinson (from I Think You Should Leave) Let us know what you thought of the film, on a scale of 1–10 precious bodily fluids! Join the conversation on our Patreon at patreon.com/thewestingwingweekly.