E188: Chris Salewicz on the NME + Supertramp + Amy Winehouse

For this episode we're joined by the admirable Simon Raymonde, sometime Cocteau Twin, head honcho at Bella Union Records and author of the autobiographical In One Ear. We commence by asking our guest about growing up as the son of the legendary Ivor Raymonde, string arranger on umpteen hits by pop idols from Billy Fury to the Walker Brothers. We hear clips from Ira Robbins' 1989 audio interview with Raymonde Sr.'s most famous client Dusty Springfield — and discuss a Ray Connolly piece from 1970 in which she more or less outs herself as gay. Simon then talks about his days behind the counter at Beggars Banquet Records and how they led to his joining the Cocteaus in 1984. Clips from a 1996 audio interview with the trio prompt his reflections on writing and performing with Robin Guthrie and Elizabeth Fraser — and how their extraordinary music won the admiration of everyone from Prince to Jeff Buckley. Simon also recalls the fallout from leaving indie sanctuary 4AD for major-label Fontana. We conclude by asking our guest about the 27-year-old Bella Union label, home to Midlake, Fleet Foxes, Beach House, John Grant, Flaming Lips and Father John Misty… and to 17-year-old Nell Smith, who tragically died in a car accident three days before we recorded this episode. After Mark quotes from newly-added library pieces — Val Wilmer's 1966 interview with Sun Ra; Lester Bangs' rave review of the Temptations' Sky's the Limit — Jasper brings the episode to a close with his thoughts on early interviews with Alicia Keys (2001) and Amy Winehouse (2004). Many thanks to special guest Simon Raymonde. In One Ear: Cocteau Twins, Ivor and Me is published by Nine Eight Books and available now from all good bookshops. Visit the Bella Union Vinyl Shop at 25 Church St in Brighton and online at bellaunionvinylshop.com. Pieces discussed: Cocteau Twins, Cocteau Triplets, Cocteau Quadruplets, Dusty Springfield audio, Dusty Springfield: Dusty at 30... loneliness is an occasional thing, Sun Ra: Flying Saucers Coming To Take Me Away, Ha Ha!, The Temptations: Sky's the Limit, Alicia Keys: Move over Macy and Whine and Song; Amy Winehouse hits out at girl singers and why she's one of the very best.

For this episode we're joined – all the way from sunny Southern California – by L.A. Times legend Robert Hilburn. Bob beams in to discuss his new biography of the peerless Randy Newman, but we start by asking him about the early childhood memories (of his native Louisiana) that he shares with Randy himself. From there he takes us from the Eureka moment of hearing a then-unknown Elvis Presley on the radio for the first time – through his teen years in suburban SoCal – to his early freelance pieces for the Times. Which include his account of accompanying Johnny Cash to Folsom Prison in January 1968... Bob's famously influential 1970 review of Elton John at West Hollywood's beloved Troubadour club gives us a chance to discuss the halcyon days of singer-songwriters and leads directly on to Randy Newman, whose "Troub" debut in the same year Bob also reviewed. We talk at length about the satirical genius behind 'Sail Away', 'Short People' and 'I Love L.A.', revisiting the 50-year-old Good Old Boys in depth and listening to clips from John Hutchinson's 1983 audio interview with Randy. Pieces discussed: Doug Weston: A Man Who Had a Passion for Art of the Troubadour, Elton John @ the Troubadour, Randy Newman @ the Troubadour, Randy Newman audio interview, Thelonious Monk, The Problems of Being Roger McGuinn, Felton Jarvis: Nashville Producer and Cornershop.

For this episode we're joined by the Brooklyn-based Andrew Smith, author of the bestselling Moondust, the "dotcom swindle" saga Totally Wired and the brand-new Devil in the Stack. We start by asking Andrew about the peripatetic childhood that took him from Greenwich Village to Hastings via San Francisco's summer of love. A riveting account of auditioning to replace Mick Jones in the Clash leads us to our guest's recollections of writing in the '80s and '90s for Melody Maker and The Face — and eventually becoming chief pop critic at London's Sunday Times. Jumping to Andrew's new book — with its subtitle A Coding Odyssey — we ask him about music's "digital revolution" in the mid-'80s, with particular attention to the ubiquity of Yamaha's DX7 keyboard. From there we revisit his 1995 interview with Björk – an artist who overtly embraced electronic sounds in that decade — and then listen to two audio clips from David Toop's absorbing encounter with the Icelandic maverick six years later. After a fascinating discussion about A.I. – its upsides and its threat not merely to musicians but to humanity at large — we return to the mid-'90s to celebrate the all-too-short life of the Notorious B.I.G., hip hop's "King of New York" in that all-too-violent decade. Mark provides quotes from recently-added library pieces about Captain Beefheart (1969), the Sex Pistols (1978) and oddly Francophobe goths Sisters of Mercy (1987), and Jasper wraps up the episode with his thoughts on articles about pop fanzines (2003) and writer, photographer and recent podcast guest Val Wilmer (2024). Many thanks to special guest Andrew Smith. Devil in the Stack: A Coding Odyssey is published by Grove Press and available now. Visit Andrew's website at andrewsmithauthor.com for more details. Pieces discussed: Andrew Smith on RBP, Björk: An International Word, Sound and Fury: Radiohead, Björk audio, Notorious B.I.G.: B.I.G. Trouble, Biggie, Tupac et al: Hollywood or Bust-up, Black Metropolis: Notorious R.I.P., Captain Beefheart & His Magic Band: Trout Mask Replica, The Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols, The Sisters Of Mercy: After The Flood, The Fanzine Editor: Publish And Be Damned and Val Wilmer: Deep Blues 1960–1988 (Café Royal).

For this episode we're joined by a living musical legend whose career as an A&R man, manager, producer, label-owner and writer spans over 60 extraordinary years. On the day his monumental "journey through Global Music" And the Roots of Rhythm Remain is published, the peerless Joe Boyd visits RBP's Hammersmith HQ to talk about the book — and the 17+ years it took to write the follow-up to 2006's acclaimed memoir White Bicycles. After we hear about the 1987 meeting that led to the adoption of the now-discredited term "World Music" as a marketing category, discussion touches on the sound, rhythms and political impact of music from South Africa, Brazil, Bulgaria and — inevitably — Jamaica. Clips from John Hutchinson's 1982 audio interview with the late great Kate McGarrigle – mother of Rufus and Martha Wainwright — lead to our guest's recollections of working with her and sister Anna on their magical eponymous debut in 1975. Joe also reminisces about Junco Partner, the 1976 album he made with New Orleans piano genius James Booker. Talk of the week's featured RBP writer Robert Shelton — coinciding with the imminent reissue of the latter's epic Bob Dylan biography No Direction Home — prompts memories of the late New York Times critic from Joe, who (lest we forget) worked as stage manager at the 1965 Newport Folk Festival in which Dylan first "went electric". Many thanks to special guest Joe Boyd. And the Roots of Rhythm Remain is published by Faber in the UK and Ze Books in the US; visit Joe's website joeboyd.co.uk for more details. Pieces discussed: Joe Boyd: Freaky Galahad, Joe Boyd: An Interview, Joe Boyd on White Bicycles, Kate McGarrigle audio, Bob Dylan at Gerde's Folk City, New York, Pop Singers and Song Writers Racing Down Bob Dylan's Road and Bob Dylan: How does it feel on your own?.

Joining us all the way from Santa Barbara for this episode is Darrell M. McNeill, director of operations at the Black Rock Coalition and author of a new 33 1/3 study of the Isley Brothers' mighty 1973 album 3 + 3. We start by asking our guest about his '90s contributions to the Village Voice and his involvement with the B.R.C.. Crediting his dad for his own childhood love of the Isleys, Darrell tells us how he came to write about the band. We discuss their unique history across six-plus decades, arriving at the dramatic game-changer that was 3 + 3. Inevitably referencing Jimi Hendrix — an Isleys sideman in the mid-'60s — we ask Darrell about the group's pioneering hybrid of R&B and rock and their covers of classic songs by Carole King, James Taylor et al. A special nod, of course, to Jimi's incalculable influence on kid brother and budding guitar genius Ernie. From the Isleys to Isaac Hayes: following two clips from Ira Robbins' 1995 audio interview with the sometime Stax superstar, we discuss such radical milestones as 'Theme from Shaft' and Hot Buttered Soul's version of Bacharach & David's 'Walk On By'. After a brief digression to salute the 50th anniversary of long-time RBP contributor John Broven's seminal 1974 book Walking to New Orleans, Mark talks us out with quotes from newly-added interviews with Janis Joplin (1969) and Beatles session guitarist David Spinozza (1971). Jasper then wraps up the episode with remarks on Destiny's Child (2003) and The Comet is Coming (2019). Many thanks to special guest Darrell M. McNeill. His book on the Isley Brother's 3 + 3 is published by Bloomsbury and available now. Pieces discussed: The Isleys: first time winners again!, The Isley Brothers: 3 + 3, The Isley Brothers: 3 + 3 = Super Success, Ernie Isley: Pride of the Isleys, Isaac Hayes audio, Fats Domino & His Orchestra: Saville Theatre, Behind The Sun: New Orleans, 'See You Later Alligator': Bobby Charles, Janis Joplin: Janis Superhypermost!, Paul McCartney: Working with Paul — A Session Musician Speaks, Kelly Rowland: Real Girl Talk, Michie Mee is the First Lady of Toronto Hip-Hop and The Comet is Coming: Interstellar Apocalypse.