E188: Chris Salewicz on the NME + Supertramp + Amy Winehouse

In this episode — recorded on the somewhat sombre Wednesday after the U.S. elections — we welcome the wonderful Beverley Glick to our Hammersmith lair and ask her about her New Romantic nom de plume Betty Page. Beverley tells us about her early days on Sounds, where she started out as editor Alan Lewis' secretary, and talks us through her seminal 1980 encounters with Spandau Ballet and Steve Strange. Her subsequent early interview with Duran Duran leads us to clips from David Keeps' 1993 audio interview with the Brummie band's frontman Simon Le Bon. After touching briefly on Depeche Mode, whom Beverley also interviewed very early on, our guest revisits the short-lived Noise! — Sounds' very own attempt at "doing" a Smash Hits — and recounts her subsequent path to the editorship of the rather longer-standing Record Mirror. Memories of mad moments with Happy Mondays (for Vox), and Beverley's eventual graduation to national newspapers, take us to her decision to forsake journalism for a career as a life coach specialising in "leadership communication" — and as the author of this year's In Your Own Words. A few glum thoughts on the political distortion of words such as "freedom" segue into our homage to the brilliant and outrageous Quincy Jones. Mark then quotes from newly-added library pieces about the Who (1965) and Ronnie Scott (1979)... and Jasper wraps up the episode with his thoughts on articles about "Brazilian Prince" Ed Motta (2006) and Tricky's magnificent Maxinquaye (2023). Many thanks to special guest Beverley Glick. For more Beverley, including info on her books and coaching, visit beverleyglick.com. Pieces discussed: Spandau Ballet: The New Romantics — a Manifesto for the Eighties, Visage: Stranger In Town, How I Discovered Duran Duran. Or Did They Discover Me?, Duran Duran's Simon Le Bon audio, Quincy Jones Has a Story About That, The Who, Ronnie Scott: King Of Clubs, The World of Ed Motta and Tricky: Maxinquaye (Reincarnated) (UMR/Island)

For this episode we're joined by the admirable Simon Raymonde, sometime Cocteau Twin, head honcho at Bella Union Records and author of the autobiographical In One Ear. We commence by asking our guest about growing up as the son of the legendary Ivor Raymonde, string arranger on umpteen hits by pop idols from Billy Fury to the Walker Brothers. We hear clips from Ira Robbins' 1989 audio interview with Raymonde Sr.'s most famous client Dusty Springfield — and discuss a Ray Connolly piece from 1970 in which she more or less outs herself as gay. Simon then talks about his days behind the counter at Beggars Banquet Records and how they led to his joining the Cocteaus in 1984. Clips from a 1996 audio interview with the trio prompt his reflections on writing and performing with Robin Guthrie and Elizabeth Fraser — and how their extraordinary music won the admiration of everyone from Prince to Jeff Buckley. Simon also recalls the fallout from leaving indie sanctuary 4AD for major-label Fontana. We conclude by asking our guest about the 27-year-old Bella Union label, home to Midlake, Fleet Foxes, Beach House, John Grant, Flaming Lips and Father John Misty… and to 17-year-old Nell Smith, who tragically died in a car accident three days before we recorded this episode. After Mark quotes from newly-added library pieces — Val Wilmer's 1966 interview with Sun Ra; Lester Bangs' rave review of the Temptations' Sky's the Limit — Jasper brings the episode to a close with his thoughts on early interviews with Alicia Keys (2001) and Amy Winehouse (2004). Many thanks to special guest Simon Raymonde. In One Ear: Cocteau Twins, Ivor and Me is published by Nine Eight Books and available now from all good bookshops. Visit the Bella Union Vinyl Shop at 25 Church St in Brighton and online at bellaunionvinylshop.com. Pieces discussed: Cocteau Twins, Cocteau Triplets, Cocteau Quadruplets, Dusty Springfield audio, Dusty Springfield: Dusty at 30... loneliness is an occasional thing, Sun Ra: Flying Saucers Coming To Take Me Away, Ha Ha!, The Temptations: Sky's the Limit, Alicia Keys: Move over Macy and Whine and Song; Amy Winehouse hits out at girl singers and why she's one of the very best.

For this episode we're joined – all the way from sunny Southern California – by L.A. Times legend Robert Hilburn. Bob beams in to discuss his new biography of the peerless Randy Newman, but we start by asking him about the early childhood memories (of his native Louisiana) that he shares with Randy himself. From there he takes us from the Eureka moment of hearing a then-unknown Elvis Presley on the radio for the first time – through his teen years in suburban SoCal – to his early freelance pieces for the Times. Which include his account of accompanying Johnny Cash to Folsom Prison in January 1968... Bob's famously influential 1970 review of Elton John at West Hollywood's beloved Troubadour club gives us a chance to discuss the halcyon days of singer-songwriters and leads directly on to Randy Newman, whose "Troub" debut in the same year Bob also reviewed. We talk at length about the satirical genius behind 'Sail Away', 'Short People' and 'I Love L.A.', revisiting the 50-year-old Good Old Boys in depth and listening to clips from John Hutchinson's 1983 audio interview with Randy. Pieces discussed: Doug Weston: A Man Who Had a Passion for Art of the Troubadour, Elton John @ the Troubadour, Randy Newman @ the Troubadour, Randy Newman audio interview, Thelonious Monk, The Problems of Being Roger McGuinn, Felton Jarvis: Nashville Producer and Cornershop.

For this episode we're joined by the Brooklyn-based Andrew Smith, author of the bestselling Moondust, the "dotcom swindle" saga Totally Wired and the brand-new Devil in the Stack. We start by asking Andrew about the peripatetic childhood that took him from Greenwich Village to Hastings via San Francisco's summer of love. A riveting account of auditioning to replace Mick Jones in the Clash leads us to our guest's recollections of writing in the '80s and '90s for Melody Maker and The Face — and eventually becoming chief pop critic at London's Sunday Times. Jumping to Andrew's new book — with its subtitle A Coding Odyssey — we ask him about music's "digital revolution" in the mid-'80s, with particular attention to the ubiquity of Yamaha's DX7 keyboard. From there we revisit his 1995 interview with Björk – an artist who overtly embraced electronic sounds in that decade — and then listen to two audio clips from David Toop's absorbing encounter with the Icelandic maverick six years later. After a fascinating discussion about A.I. – its upsides and its threat not merely to musicians but to humanity at large — we return to the mid-'90s to celebrate the all-too-short life of the Notorious B.I.G., hip hop's "King of New York" in that all-too-violent decade. Mark provides quotes from recently-added library pieces about Captain Beefheart (1969), the Sex Pistols (1978) and oddly Francophobe goths Sisters of Mercy (1987), and Jasper wraps up the episode with his thoughts on articles about pop fanzines (2003) and writer, photographer and recent podcast guest Val Wilmer (2024). Many thanks to special guest Andrew Smith. Devil in the Stack: A Coding Odyssey is published by Grove Press and available now. Visit Andrew's website at andrewsmithauthor.com for more details. Pieces discussed: Andrew Smith on RBP, Björk: An International Word, Sound and Fury: Radiohead, Björk audio, Notorious B.I.G.: B.I.G. Trouble, Biggie, Tupac et al: Hollywood or Bust-up, Black Metropolis: Notorious R.I.P., Captain Beefheart & His Magic Band: Trout Mask Replica, The Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols, The Sisters Of Mercy: After The Flood, The Fanzine Editor: Publish And Be Damned and Val Wilmer: Deep Blues 1960–1988 (Café Royal).

For this episode we're joined by a living musical legend whose career as an A&R man, manager, producer, label-owner and writer spans over 60 extraordinary years. On the day his monumental "journey through Global Music" And the Roots of Rhythm Remain is published, the peerless Joe Boyd visits RBP's Hammersmith HQ to talk about the book — and the 17+ years it took to write the follow-up to 2006's acclaimed memoir White Bicycles. After we hear about the 1987 meeting that led to the adoption of the now-discredited term "World Music" as a marketing category, discussion touches on the sound, rhythms and political impact of music from South Africa, Brazil, Bulgaria and — inevitably — Jamaica. Clips from John Hutchinson's 1982 audio interview with the late great Kate McGarrigle – mother of Rufus and Martha Wainwright — lead to our guest's recollections of working with her and sister Anna on their magical eponymous debut in 1975. Joe also reminisces about Junco Partner, the 1976 album he made with New Orleans piano genius James Booker. Talk of the week's featured RBP writer Robert Shelton — coinciding with the imminent reissue of the latter's epic Bob Dylan biography No Direction Home — prompts memories of the late New York Times critic from Joe, who (lest we forget) worked as stage manager at the 1965 Newport Folk Festival in which Dylan first "went electric". Many thanks to special guest Joe Boyd. And the Roots of Rhythm Remain is published by Faber in the UK and Ze Books in the US; visit Joe's website joeboyd.co.uk for more details. Pieces discussed: Joe Boyd: Freaky Galahad, Joe Boyd: An Interview, Joe Boyd on White Bicycles, Kate McGarrigle audio, Bob Dylan at Gerde's Folk City, New York, Pop Singers and Song Writers Racing Down Bob Dylan's Road and Bob Dylan: How does it feel on your own?.