Gen X? More Like Gen Sex.

As U.S. poet laureate, Ada Limón has had a far-reaching impact. She has visited readers and writers across the country, installed poems at majestic sites in national parks, and she even wrote a poem that’s engraved inside a NASA spacecraft on its way to Jupiter. Today on the show, though, our host Anna Martin talks with Limón about something more personal and intimate: What happens when writers fall hopelessly in love. She reads a Modern Love essay about a novelist whose debilitating crush on a poet gives her a bad case of writer’s block (before leaving her with a badly broken heart). Limón also tells Anna why feeling anger and grief when we’re despairing can be the path to feeling more alive, and she explains why a pair of old sweatpants belong in a love poem as much as bees and flowers do. Ada Limón’s recent book, “You Are Here: Poetry in the Natural World” can be found here. Lily King’s Modern Love essay, “An Empty Heart Is One That Can Be Filled” can be found here.

Growing up, Jamie Shandro was interested in science, while her younger brother, Tim, liked art. When they were in their twenties, they both landed in Seattle: Jamie for medical school and Tim for art school. They were closer than ever. But as Jamie was finishing up a rotation in psychiatry, Tim started behaving strangely. In this episode of Modern Love, Jamie tells the story of the frightening onset of her little brother’s mental illness and the parts of his personality and creativity that remain. Plus, she talks about how helping Tim has shaped her, as a person, and a doctor. This episode is adapted from Jamie Shandro’s 2025 essay My Brother Has Schizophrenia. This Is How I Love Him. Here’s how to submit a Modern Love essay to The New York Times Here’s how to submit a Tiny Love Story

If you know one thing about Orville Peck, it’s probably that he wears a mask. The country musician has long kept himself shrouded in mystery, shielding his face from the public and revealing few details about his past. His music, however, is full of emotional honesty and vulnerability — he told the Modern Love podcast that most of his lyrics are about his life — and his songs are imbued with a deep sense of longing. In this episode, Peck talks about why country music uniquely captures our complicated feelings about love, and why love and pain are so often intertwined. He reads a Modern Love essay, “Strung Out on Love and Checked In for Treatment” by Rachel Yoder, about love addiction, and discusses what it takes to pull yourself from its distressing grip.

Natasha Rothwell plays characters who are constantly trying to improve and to better understand their desires. This season on “The White Lotus,” Rothwell, an Emmy-nominated actress, is back playing Belinda, a striving spa manager with dreams of becoming her own boss. Ambitions like these are relatable to Rothwell, who created and starred in her own show, “How to Die Alone.” But as she and her characters have learned, going after what you want often means changing your priorities and steering away from certain types of people. Today on the show, Rothwell reads Jasmine Browley’s Modern Love essay, “I Decentered Men. Decentering Desire for Men Is Harder,” about the challenges and joys of putting your own needs first. And Rothwell tells Anna Martin how vision boarding has helped her center herself. Here’s how to submit a Modern Love essay to The New York Times. Here’s how to submit a Tiny Love Story.

On her fourth solo album, “Forever Is a Feeling” (out March 28), Lucy Dacus contemplates the fears and delights that go along with falling hard for someone. The song “Best Guess” celebrates the leap of faith involved in committing to a partner with the knowledge that both of you will change over time. And in another track called “Talk,” a couple realizes they’ve grown apart because they have nothing more to say to each other. In this episode, Dacus reads Molly Pascal’s Modern Love essay, “How the ‘Dining Dead’ Got Talking Again,” about a husband and wife who set out to bring conversation back into their marriage. And Dacus tells Anna Martin why she’s not afraid to put in the work for long-term love.