Few records define an era of grown-up pop music as Come Away With Me by Norah Jones. It appeared as if from nowhere in February 2002 and was suddenly everywhere. Blending contemporary and traditional, standards and covers, delivered in Jones' warm, disarming tones, Come Away With Me was an immediate hit, a balm in the post 9/11 world of hatred and warfare, something real and tangible in an unreal universe, a best kept secret to share. It seemed so unusual yet so familiar. It offered comfort. But what was this sound and who was it made by?