Shōgun Seisiún: Irish Music In Japan

Eirsat-1: Ireland’s First Satellite is the remarkable story of a group of young Irish scientists and engineers who are determined to make Ireland a space-faring nation – by designing, building and sending Ireland’s first satellite into space. Eirsat-1 is Ireland’s very first spacecraft, a research satellite that passes over our heads six times a day as it orbits the earth. Produced and presented by John Higgins, this moving documentary tells its story - and the incredible challenges faced and overcome by the determined group of students and staff in University College Dublin who launched it into space. Eirsat-1: Ireland’s first satellite is produced, presented and edited by John Higgins of As the Crow Flies Productions, with sound mixing by Neil Kavanagh of Coach House Media. With special thanks to the European Space Agency and the staff and students of UCD. Supported by Coimisiún na Meán.

‘45 Years of Listening’ tells the story of the Dublin Lesbian Line – an essential, landmark community-led resource – through a collection of personal reflections from one of the original founders, and current volunteers. Dublin Lesbian Line was founded in 1979 – a time in Ireland when homosexuality was invisible, unmentionable, and profoundly isolating – to provide a way for gay/queer/bi/questioning women to connect, meet, make friends, find a community, or even just to talk anonymously on the phone. In 1979, and in the years that followed, it took enormous courage to pick up that phone and dial. Homophobia, patriarchy/gender roles, and heterosexism were so normalized and taken for granted as ‘the way things should be’ that some callers to Dublin Lesbian Line couldn’t even get the words out once they had gotten through to the number. Others, like one-time caller and then volunteer, Marina, found it a lifeline — found not only support, but friends and community. Ireland has changed, but many LGBTQ+ people still experience discrimination and hostility. Now, in 2024, 45 years later (and despite its legacy name), Dublin Lesbian Line (DLL) serves the entire country – and all genders. As the current volunteers and organisers point out: “We’re not just for Dublin, we’re not just a phone line, and we’re not just for lesbians.” DLL is a registered charity, and aside from offering a listening ear and advice, DLL acts as a reference point for other services (social, health, advisory), and the team at DLL also organises events and courses for the Lesbian community. In the words of volunteer Val, DLL strives to be an “open embrace”. This programme gives the listener an opportunity to learn about diversity of experience in Ireland and reflect on aspects of Irish society and social history, and explore the work of a grass-roots community-led charity/organisation. Information and support for the issues raised in this programme can be found at Switchboard, LGBTQIA support and resources, on 01 872 1055 or by visiting theswitchboard.ie. Please note: Anyone can call on any day, but Tuesday is a dedicated women’s night, 6.30-9pm. ’45 Years of Listening’ was produced, recorded, and edited by Shaun O’Boyle and Maurice Kelliher, shaunandmaurice.com, and was supported by Coimisiún na Meán. Connect with Dublin Lesbian Line on Facebook: https://www.facebook.com/people/Dublin-Lesbian-Line/100064358546983

Vision: The Story of Sister Margaret Coyne tells the remarkable story of  Irish nun Sister Margaret Coyne, who ran an eye clinic near the Ethiopian-Eritrean border for decades, saving the sight of countless thousands - often in the midst of war, conflict and famine. Produced and presented by her nephew John Higgins, her story is told in her own words and through the eyes of the Ethiopian and Irish people who know and worked with her -  from her sister Sabina Higgins, to the Spanish doctors who stumbled across her clinic and started an international NGO to support her work, to Ethiopian people living in Ireland and those who live there now - as the Tigray region where she lived once again finds itself embroiled in a brutal civil war. Vision: The Story of Sister Margaret Coyne is edited, presented and produced by John Higgins of As the Crow Flies Productions, with sound mixing by Neil Kavanagh of Coach House Media. With special thanks to Proyecto Vision and The Daughters of Charity. Funded by Coimisiún na Mean with the television licence fee. Photo credit: John Higgins/Ivo Rovira

In 2020, a few weeks after Ireland entered one of the longest COVID lockdowns in the world, Patrick Dexter began uploading videos online of him playing the cello outside his cottage in County Mayo. In a matter of weeks, his life had changed forever. Producer Hugh Hick and Documentary on Newstalk bring you an intimately-told story of music and landscapes – and the part both play in our lives, sometimes without us realising it. Born and raised in Dublin, Patrick Dexter spent most of his twenties abroad, living for long stretches in Vietnam and the Netherlands. It was only after all this that Patrick and his partner Jan decided to try for a different type of existence. One as far away from the crowded city life they had always known as you could imagine. And so they moved to a tiny cottage outside Westport in Co. Mayo, determined to live an isolated and monkish lifestyle. Then, in 2020, that all changed. With COVID-19 spreading uncertainty into our lives and lockdowns confining us, Patrick began sharing videos of his own way of passing the days – sat outside in his garden, playing cello, the stunning landscape of the locality his background. What started as something to send to his friends quickly caught fire through Twitter and Instagram and within months was being viewed regularly by hundreds of thousands of people worldwide. This documentary tells Patrick’s story through his own words as well as those of his family and friends, including producer Hugh Hick, who has known Patrick since they were teenagers. But it’s not just Patrick’s story – it’s the story of a unique place in Ireland that continues to capture the hearts and minds of so many. And it’s the story of all of us, and why, at that most uniquely dark and incomprehensible of moments, something about a man playing cello to us through our screens compelled us and gave us something to latch onto. ‘Strings’ was made with the support of Comisúin na Meán with the television licence fee.