IBM's Jerry Chow explains the next phase of quantum computing

Unity is one of those hidden in plain sight companies we love here on Decoder, and CEO Matt Bromberg is in many ways the perfect Decoder guest. He's been on the job less than a year and took over in a moment of crisis. He describes the company as being "at war with its customers" before he joined, and he's not wrong. The game industry right now is also contracting overall — studios are closing, and some big bets on things like the metaverse and live service games haven’t paid off. So we talked about all that, and where Matt sees growth ahead: Unity isn’t just a game engine provider, but the platform for everything from running those big live services and the monetization on top of them. Links:  Unity’s struggles continue with fresh wave of layoffs | The Verge Unity attempts to turn things around with latest game engine release | The Verge Unity has eliminated its controversial runtime fee | The Verge ‘We want to be a fundamentally different and better company’ | IGN John Riccitiello is out at Unity, effective immediately | The Verge Unity is laying off 25% of its staff | The Verge Unity cancels town hall over reported death threats | The Verge Unity has changed its pricing model and developers are pissed off | The Verge Toyota chooses Unity for next-generation interface | Unity Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we’re talking about bird flu, but in a pretty Decoder way. Science journalist Lauren Leffer, who recently wrote a piece for The Verge about bird flu and how it’s becoming a forever war, is joining me on the show. We’re going to talk about the systems, structure, and culture that might control bird flu — and those that might make it worse. Links:  We’ve entered a forever war with bird flu | Verge Kennedy’s alarming prescription for bird flu on poultry farms | NYT First bird flu death in US reported in Louisiana | NYT Bird flu found in sheep in UK, a world first | NYT Shell shocked: how small eateries are dealing with record egg prices | NYT Animal Farm: eggflation’s monopoly problem | The Lever At the ‘Wall Street of Eggs,’ Demand Is Surging | WSJ How to protect your pets from bird flu | Popular Science What to know about the bird flu outbreak in wild birds | AP Bird flu continues to spread as Trump experts are MIA | Ars Technica Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Kakul Srivastava, CEO of music creation platform Splice, which is one of the biggest marketplaces around for loops and samples. You can just go sign up, pay the money, and download these loops to try to make pop hits all day long. Take, for instance, Sabrina Carpenter’s Espresso, which was composed almost entirely out of Splice loops.  Now, if you’re a Decoder listener, you know that some of my favorite conversations are with people building technology products for creatives, and that I am obsessed with how technology changes the music industry, because it feels like whatever happens to music happens to everything else five years later. So this one was really interesting, because Splice is all wrapped in all of that.  Links:  Sabrina Carpenter’s Espresso highlights the way new music is made | Bloomberg Major record labels sue AI company behind ‘BBL Drizzy’ | Verge Splice CEO’s message for AI sceptics? “Trust the artists” | MusicTech Splice launches voice recording on Splice Mobile at SXSW | Splice OpenAI & Google ask government to let them train AI on content they don’t own | Verge AI Drake just set an impossible legal trap for Google | Verge Pharrell Williams: $7.3 million Blurred Lines verdict threatens all artists | Verge Lady Gaga, nostalgia, and the ‘reheated nachos’ phenomenon in pop culture | Her World AI music startups say copyright violation is just rock and roll | Verge Suno CEO says musicians don’t actually like making music | Vice Transcript: https://www.theverge.com/e/632036 Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we're talking about the Tesla Takedown protest movement, which has emerged as a way for people to express how deeply unhappy they are with Elon Musk installing himself as a not-so-shadow president who is tearing the federal government apart, leaving confusion and destruction in his wake. Tesla's stock price is sinking, new car registrations and down, and hype around the company is fading rapidly. There's an opportunity there for the protestors, and I asked Ed Niedermeyer on the show to help me pull it all apart. Links:  Is Tesla cooked? | Verge Elon Musk Has Become Too Toxic for YouTube | New York Magazine ‘Tesla Takedown’ wants to hit Elon Musk where it hurts | Verge The Tesla protests are getting bigger — and rowdier | Verge ‘Tesla Takedown’ protesters planning ‘biggest day of action’ | Verge Tesla registrations — and public opinion — are in a free fall | Verge Multiple Teslas set on fire in Las Vegas and Kansas City | Verge Mark Rober’s Tesla video was more than a little weird | Verge Tesla sales fell year-over-year for the first time | Verge The cybertruck isn’t all it’s cracked up to be | Verge Tesla autopilot, FSD linked to hundreds of crashes, dozens of deaths | Verge Tesla crash victims’ families worried about Musk influence on investigations | Verge Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I'm talking to Evan Smith, who started Altana in 2019 because he predicted the first wave of globalized manufacturing and trade would end, and that companies would want new powerful tools to adapt their supply chains as the world grew more complex. Here in 2025, that looks like a pretty good bet — even if the way it's playing out is more stressful and chaotic than anyone really wants it to be. There are some big, unsettling ideas here, but talking about them directly and with clarity at least made me feel like I had a framework to understand the endless on-again, off-again news cycle on tariffs and trade. Links:  Globalization 2.0 Manifesto | Altana The ‘giant sucking sound’ of NAFTA | The Conversation ‘Offensive Realism’: The never-ending struggle for power | American Diplomacy (2002) Foreign Affairs Big Mac I | NYT (1996) The end of the Golden Arches Doctrine | Financial Times Trump could scale back tariffs, Lutnick says | CNBC China joined rule-based trading system — then broke the rules | Politico Open Source and China: Inverting Copyright? | Wisconsin International Law Journal How the US lost out on iPhone work | NYT Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Our producers are Kate Cox and Nick Statt. Our editor is Ursa Wright.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices